On December 10-11, 2014, the Institute of Philosophy (KU Leuven) will host the international conference Towards a Critique of Secular Reason? in Leuven, Belgium.
Latest posts
Millennial storytelling
by Ella WagnerThe Immanent Frame editor-at-large Nathan Schneider recently talked to radio host Krista Tippett for her Peabody Award-winning show “On Being.”
Stacking the deck: Thomas Pfau’s strange history of the West
by Victoria KahnImagine that you’ve been invited to play a game of cards with Thomas Pfau and his cards are called Justice, Reason, Beauty, Humanism, Purpose, and Value, while yours are called Interest, Materialism, Naturalism, Historicism, Value-Neutrality, attributes of a World without Grace and without Narrative. Who wins? But why should you let Pfau have all those cards, especially with names like Justice, Reason, and Beauty, or the names he adds later—“free choice, conscience, person, teleology…judgment…and, for that matter, art”; and why are you stuck with Interest and Materialism? This is a little bit what it’s like to read Thomas Pfau’s Minding the Modern. In the space I have, I will argue that Pfau has stacked the deck.
A “pastoral earthquake” in Rome?
by Wei ZhuOn October 13th, the Extraordinary Synod of Bishops on the Family, an assembly convened by Pope Francis, released a relatio post disceptationem—a snapshot of the discussion thus far—that has triggered much coverage and debate across the media landscape. The document seems to signal a softening stance on, among others things, divorce, homosexuality, and unmarried cohabitation.
A response to Borja Vilallonga
by Wei ZhuOver at his Academia.edu page, Thomas Pfau responds to Borja Vilallonga's review of his book Minding the Modern.
Charismatic malediction, or martyrdom in antebellum America
by Caleb SmithIn an 1850 pamphlet, “The Law-Abiding Conscience and the Higher Law Conscience,” the Reverend Samuel T. Spear observed, “Every professed martyr virtually appeals to posterity and to God, to review his case, and settle the question whether he was a martyr or a fool.” Spear was a preacher with a sense of humor, but he was also a critic of his culture, thinking about law and religion in antebellum America. In that weird society, with its secularizing institutions and its fantastic carnivals of spiritual awakening, professions of martyrdom had become so common, so conventionalized, that Spear could analyze them as a genre. He saw martyrdom as a style of protest directed toward the legal system (especially toward the fugitive slave codes), animated by a double faith in God and in something called posterity. The self-styled martyrs appealed from the courts of law not only to the Almighty but also to a future public—one that their words would help to summon into being. The martyrs’ claims to justice would be decided by a divine authority and a spectral community.












