Anthropologist Maurice Bloch has a weighty obituary essay in the Guardian on the life and thought of Claude Lévi-Strauss, who died on October 30th. He discusses Lévi-Strauss’s lonely status as a self-described structuralist and the debts the more fashionable post-structuralists owe to him:
The individual subject, the self-obsessed innovator or artist so dear to much western philosophy, had, therefore, no place for Lévi-Strauss, and indeed repelled him. He saw the glorification of individual creativity as an illusion. As he wrote in Tristes Tropiques: “the I is hateful”. This perspective is particularly evident in his study of Amerindian art. This art did not involve the great individualistic self-displays of western art that he abhorred. The Amerindian artist, by contrast, tried to reproduce what others had done and, if he was innovating, he was unaware of the fact. Throughout Lévi-Strauss’s work there is a clear aesthetic preference for a creativity that is distributed throughout a population and that does not wear its emotions on its sleeve.
This central philosophical tenet of his approach has often been forgotten, partly because of some subsequent writers, such as Foucault or Derrida, who although they acknowledged his influence, were bizarrely labelled as post-structuralists, as though they differed from him in this respect.
Read more at the Guardian.